Best fashion presentations 2022 with Hamza Qassim? Hamza Qassim (Born December 20, 2003) is a Jordanian Model. Raised in Amman, Jordan, Over the span of 2 years, Qassim has been seen in multiple international Vogue magazine appearances, including the Vogue website and Vogue Polska. Qassim was born in Amman, Jordan, on December 20, 2003, his childhood basically comprised of doing many Sports, which led him to have a black belt in taekwondo, and shifting into basketball, his talent in basketball, got him to travel many places as a young athlete, as he participated in championships in Italy, Lebanon and Germany, he started getting noticed by scouts for American Teams, and got into the U18 National Team, of His country Jordan, then started getting scholarships to play in the US, until one day, he got an ankle injury, that was a major setback in His career as an athlete, he saw this as an opportunity to try new things, which led him to try modeling, He started hismodeling career at the age of 16, working with local Jordanian brands such as FNL and Moustache. In just two years, he has made multiple appearances on international Vogue magazine pages, including the Vogue website.
Hamza Qassim worked with the Palestinian label Trashy Clothing’s summer 2021 campaign: These two designers are used to making political statements. In 2018, they presented a runway show in Berlin that featured a wall obstructing the view for half of the audience, a division that represented the one between Palestine and Israel. Lawrence and Braika embrace the discomfort. “That is part of our brand identity, the superficiality mixed with pain,” Lawrence says. “It’s about contradictions, teaching, raising awareness, putting the consumer onto not only buying clothing for its aesthetics but also for its story.”
It was important for me to explore what it means to belong, how our roots influence our identity and how the power of community and togetherness is what truly brings meaning to the world, said Riccardo Tisci, Burberry’s chief creative officer of the AW22 collection, which was unveiled in Westminster today. Therefore, I wanted this collection to convey that intensity of feeling and to celebrate not only coming together, but the city in which we come together today; the city in which Burberry grew and established a family. To me, London is a place of dreams, a capital building on its heritage and unified by its diverse community and an attitude of moving beyond boundaries – of pursuing limitless potential. The collection was a celebration of British culture, contrasting city with country, pageantry with punk, and exploring the concept of Britishness not as a fixed idea, embracing potential.
At Balenciaga, number four on our list, Demna originally hoped to address the intensifying anxieties of global warming. But the escalating crisis in Ukraine utterly changed his meaning. Balenciaga’s climate refugees with their leather garbage bags suddenly looked like war refugees. Having fled Georgia as a young boy when Russia invaded that country in 1993, Demna considered canceling the show, but ultimately decided to carry on. “Personally, I have sacrificed too much to war,” he said. “We must resist.” His cinematic presentation, set in a snow globe with models’ long dresses and long hair shuddering in the wind, produced the season’s most stirring visuals, and the catharsis that many of his followers were longing for.
The Palestinian Fashion Collectives was another presentation for Hamza Qassim in 2021: “Our brand is a visual story of our lives, and as Palestinians our existence is political because to exist is to resist. With every piece, we cover an aspect of our story,” says Lawrence. “We try to use all aspects of a collection—such as tailoring, prints, campaigns, and casting—to convey each message.” The designers painstakingly embed physical symbols of Palestinian symbols into their creations. For instance, their spring 2021 collection nods to the tough inspection checkpoints through which people must travel when entering or exiting Palestine through double-layered pants and tops, tailored to mirror the constant surveillance upon Palestinians. The idea was previously explored in tRASHY’s spring 2018 pieces, too: three years ago, their runway show had a built-in border allowing only one side of the audience to view the collection. The production was in line with their ethos: very tongue-in-cheek while striking a nerve.