Best advices for production companies today by GlobalTalentNetwork: Therefore, the actual value of top talent is far more significant than most organizations realize. Far too many companies promote that “their people are their most valuable asset” yet do nothing differently to attract top talent. There is a business case for the attraction and retention of top talent, which is why every organization should make it more of a priority. Some companies will say that getting top talent is difficult and competitive, as it should be considering its value, which is why companies look to Self Management Group as their strategic recruitment partner. Keep these findings in mind the next time you “settle” for an average candidate rather than going the extra mile to find a Golden Eagle. See additional details All-in-One Applicant Tracking Software.
GlobalTalentNetwork advices for talent companies : An open house is a good way for future talent and prospective clients to meet you in a way that does not feel intimidating or pushy. Alternatively, it can also be a good way to introduce your talent to prospective clients. During the open house, display digital photo frames that scroll through pictures of your clients, hand out brochures and business cards and hold a raffle for prospective talent to win a complimentary headshot. The raffle for the prospective or current clients can be to win a complimentary lunch delivery for the office where you’ll include informational materials about your agency with the delivered food.
Referrals can help. Grossman Jack Agent Jess Jones shares “As an agent and as an agency, we take talent referrals very seriously. If you are working with an actor (someone you like and trust and respect), and if they are working with an agency you also like and respect, a referral of you to their agent would probably go a long way.” Remember, this is a business and even though agents are usually friendly folk, it doesn’t mean they are your friend, so don’t act too familiar or over share when you first meet a potential agent. Think “business casual” behavior in which professionalism, timeliness, and preparedness are key. Find more info https://globaltalentnetwork.com/.
Narrow down your list. The size and status of the office you should realistically approach is determined by how far along you are in your career. When starting out, you’ll find that the small- and medium-sized offices are often more receptive to meeting new talent—but if you do have an “in” at a major agency, go for it. If your timing, talent, and type are right, you could get lucky. (Check out our lists of agencies for early- and mid-career actors in New York City and Los Angeles for ideas.) Start with a list of about 15-20 first-choice agencies; you can also put together a similar list of second-choice options. Prepare and submit your materials. Now that you’ve identified the reputable agencies you plan to pursue, you’ll need to submit four things.
Additionally, consider buying tickets to theater shows in your town. It can plug you into your local acting community while exposing you to new playwrights, actors, and directors. For auditions, you need to arrive a few minutes early, and with a reel, headshot, and résumé in hand. Reel: Your demo reel will frequently be what gets you in the door. A résumé is great, but if the casting director isn’t familiar with you, for all they know, your credits could be made up. Headshot and résumé: Always, always bring them to an audition. What’s more, make sure your headshot and résumé are stapled together. Don’t squander your chances for a callback because the casting director wasn’t able to determine your experience level after your résumé got separated from your headshot. (And if you don’t know what your headshot should look like, dig into our guide to acting headshots for tips!)
Samuel L. Jackson describes the role of a manager as the following: “Managers have relationships that agents don’t have—relationships that allow you to meet writers, producers, and other people that aren’t just based in a specific project. These are people who are planning to do things, who could put you in their plans. They can connect you with writers who can write specifically for you. And they do put pressure on agents to produce and bring you more work. Or they’ll help you find an agent who can do that.”
Your dream is to become a working actor. You’ve always been told you “have it,” but the phone doesn’t ring for callbacks. What separates professionals from wannabe prodigies isn’t inspiration. It’s preparation and execution. Take control of your audition with these 10 helpful tips to improve your skills. Play opposites: Yelling isn’t the only way to show hatred or anger. Sometimes being quiet as you make your point is a powerful display of emotion. Playing opposites is a much more interesting choice than the obvious.
To prepare for an audition, do your research on the project, who’s casting it, who’s creating it, the studio/network/theater behind it, and who else has been cast. Read the script, make a choice, and bring it! While the specifics of what’s required for theater auditions versus TV and film will vary, at the core of each is the goal of developing a clear interpretation of a character When considering audition clothing, choose something that makes you feel confident, that won’t be distracting on tape, and that makes you look put-together, not disheveled. Also try somewhat to emulate the role you’re going in for.
Once you find a list of Talent Agencies that you are interested in working with you are ready for the next step, marketing yourself as an actor. Here are the three things you need to contact potential talent agencies: Your Headshot, Your Acting Resume, A one-page cover letter. Your mission is to get a talent agent to agree to me with you in person to evaluate you as a potential client. Your headshot should capture the talent agency’s attention. Your resume should show how serious and experienced you are and your cover letter should introduce yourself. Take rejection professionally and move on with your acting career. The more agents you contact, the better your chances of finding at least one talent agent to represent you. But, remember you have to focus on making sure your agent believes in you. A casting agency is a company who hires actors and background extras to work on a production.