Meet Johnny Hachem and some of his music composer work: Johnny Hachem is a Lebanese-Ukrainian composer and pianist, based in Switzerland. He is the holder of many international awards including the 2009 international award for the Music Composition at The International Composition Conference (Cergy-pontoise, France) and the 2021 Third prize of the Classic Pure Vienna International Composition Competition (Vienna, Austria). Johnny Hachem is one of the most promising composers in Europe, with an extensive resume that includes prestigious awards from around the world. He has been awarded many international awards including the 2009 Music Composition Award at The International Composition Conference (Cergy -Pontoise, France). Find more details at https://www.johnnyhachem.com/.
As music theory, can you explain for other artists why it is advantageous to discover classical chord progressions and harmonies and apply them into any genre? Johnny Hachem: Of course, it’s advantageous to discover classical chord progressions and harmonies because they are the basic of almost all the music genres or let’s say they will enrich their musical thoughts even if they won’t be used the classical school way they can affect them unconsciously. It’s well needed to study all these things but at the end, when you compose, you must not to be making just a harmony exercise: you should really have the talent to add your own thoughts…
While sharing his experiences, Johnny revealed, “My mom used to play the piano while my dad played the violin. They were my biggest influence. I remember very well how touching it was to hear them play together when I was a child.” Besides his parents, other renowned names in the industry have deeply impacted him, including Richard Wagner and John Williams. “Richard’s music affected me a lot when I was young, and it used to take me to another world. I felt that I could live my best feelings while listening to it. I wanted to be a composer like him and compose music that affects people and makes them feel better,” explained the piano genius. Fast forward to the present, he added, “I believe John Williams is the best composer in today’s time and age. His music is breathtaking. He is a wonderful conductor and pianist as well. I learn a lot from him.”
Johnny Hachem: If you ask any modern composer, the answer will be simple: because most people have untrained ears. But as for me, there is a different simple answer: most people doesn’t like the contemporary music and art at all. Even the majority of musicians don’t like it! You know, it’s great to have modernistic elements in music and art, but going to the extreme and producing only bizarre things under the title of “contemporary” that most of people can’t digest, is not something I can agree with!
Mingle Music UK, wrote about him: To his name, he has a piano concerto, clarinet concerto and a large variety of instrumental and orchestral compositions that have been performed in Lebanon and Europe. Johnny is also a professor at the Lebanese Higher National Conservatory of Music. He has achieved a Masters degree in composition with distinction. It is true that nurturing talent takes practice, dedication, willingness to sacrifice and, of course, determination to keep the goal clear, even when the spot gets tight. When it comes to utter devotion and perseverance, Johnny Hachem, a Lebanese-Ukrainian composer and pianist, is one musician who has proved that with hard work, you can achieve anything in life.
Classical music these days more of a sub-niche with rigid frames and for many it is boring and full with repetitions. It is true, even Verdi became quite “pop” in some of his works, not to mention Chopin or Donizetti. Ok, maybe Bartok was a different league and an exception; however, there is a trend to “lighten up” the classical pieces to make it more acceptable for the masses. As a composer and performer, how do you see this, what are your experiences? Johnny HachemJohnny Hachem: I will divide my answer into two parts: First, I believe that people listen to classical music more than ever, but that is through movies and video games, however, most of them don’t like listening to it in a concert hall and that’s because of the strict etiquette rules there; you can’t clap between the movements of the musical piece even if you were very excited, you can’t cough now, you can’t move… in other words, you can’t express your emotions as you do in pop or rock concerts… To tell you the truth, it wasn’t like that before. Joseph Horowitz, in his wonderful new book, Moral Fire, describes audiences “screaming” and “standing on chairs” during classical concerts in the 1890s. The New York Times records an audience that “wept and shouted, strung banners across the orchestra pit over the heads of the audience and flapped unrestrainedly” when listening to their favorite opera singer at the Met in the 1920s. And the strict rules started in 1960.